PRAISE FOR "LIFE WITH JUDY GARLAND: ME AND MY SHADOWS"
"Sharply focused direction and a sleek script."
– The New York Times
"Robert L. Freedman's screenplay is a marvel: smart, catty, knowing, sympathetic but unflinching."
– New York Daily News
"Writer Robert L. Freedman and director Robert Allan Ackerman skillfully lead us through the well-known basics of Garland's life."
– USA Today
"Robert L. Freedman's teleplay presents Garland's life as the quintessential show-business story."
– Los Angeles Times
"Spectacular television. Robert L. Freedman's script, Robert Allan Ackerman's direction, the sets, the costumes, the performances, and the recreations are astounding."
– The Deseret News
" Thanks to a snappy script by Robert L. Freedman, as well as Davis' incredible performance, Luft succeeds in showing Garland's strength and little-seen, razor-sharp wit in the face of exploitation, illness and adversity."
– Toronto Sun
"Writer Robert L. Freedman and director Robert Allan Ackerman have made this much more than the saga of a suffering star."
– Washington Post
PRAISE FOR "WHAT LOVE SEES"
"Hurdles could be more formidable but Robert L. Freedman's frank script has a satisfying symmetry dealing with courage."
– Variety
"Robert L. Freedman's script creates complex characters with well-defined traits, treats the material with respect and hits the emotional beats with assurance."
– The Hollywood Reporter
"Robert L. Freedman wrote the gentle teleplay, based on the book by Susan Vreeland."
– Los Angeles Times
PRAISE FOR "HONOR THY MOTHER"
"Robert L. Freedman's well-honed teleplay recounts the sinister unraveling of a family's bond... The script skillfully blends the past and present into an intriguing, semi-documentarylike series of events. It's all done with a minimum of story fat, which adds to the pic's effectiveness."
– Variety
PRAISE FOR "RODGERS & HAMMERSTEIN'S CINDERELLA"
"In Freedman's teleplay, the story itself has been gently updated to reflect current ideas about what we should be teaching children."
– Los Angeles Times
"The new script by Robert L. Freedman restores the idea from Hammerstein's original teleplay, omitted in the second version, that one must depend on oneself rather than a fairy godmother for happiness."
– EMMY Magazine
"Original Oscar Hammerstein teleplay has been given a rewrite by Robert Freedman that packs in more verbiage and quickens the pace."
– Variety
